“Do you know the painting by Holman Hunt, the leader of the Pre-Raphaelite Brotherhood, entitled ‘The Shadow of Death’? It depicts the inside of the carpenter’s shop in Nazareth. Stripped to the waist, Jesus stands by a wooden trestle on which he has put down his saw. He lifts his eyes towards heaven, and the look on his face is one of either pain or ecstasy or both. He also stretches, raising both arms above his head. As he does so, the evening sunlight streaming through the open door casts a dark shadow in the form of a cross on the wall behind him, where his tool-rack looks like a horizontal bar on which his hands have been crucified. The tools themselves remind us of the fateful hammer and nails. In the left foreground a woman kneels among the wood chippings, her hands resting on the chest in which the rich gifts of the Magi are kept. We cannot see her face because she has averted it. But we know that she is Mary. She looks startled (or so it seems) at her son’s cross-like shadow on the wall.” — The Cross, John Stott